
Transforming Sexuality
Changing the Context of Conquest (Page 2)
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Joel: No action is feedback-free: Everything
we do fuels something - some pleasure, fear, security, or
habit. Often our newly acquired values are reactions against
aspects in ourselves which we don't like. But reactions
don't free us, since we act out our conditioning in a new
disguise. A real change of values comes from a deep place
that is not reactive.
Diana: In spite of heightened awareness
in the last ten years, I think men are still sexually turned
on to beauty and women to power in very deep ways. What's
new is that people are no longer satisfied with this way of
relating and, out of their dissatisfaction, are experimenting
more with their lives.
Joel: Another aspect of romance that people
don't usually want to look at, even though it brings great
conflict, is what role "conquest" plays in this.
You know, it's what those "love" stories are about
in novels and movies - the thing that comes before "The
End," where they tack on "And they lived happily
ever after." The "ever after" is, of course,
real life. The stories stop just when their life together
begins, because people are more interested in the romantic
element that contains conquest and images. This is how I
see it working: The lust or desire a man feels for a woman
is not unlike the excitement of "the hunt." He
sees something and he wants it, wants to possess it, take
it, win it. And then, after getting it, he's no longer turned
on in the same way, so he moves on to something else - another
woman, business, or golf.
Diana: At first when the woman feels the
power of his desire, this male energy being totally focused
into her can turn her on tremendously, if the man interests
her. It's hard not to feel flattered and special as the
cause of this surge in him. This is a traditional source
of female power. She might play hard to get if she has learned
how to make the hunt more interesting. Yet, the game is
itself often a source of great ambivalence, as power comes
from withholding and passion from surrender. Playing hard
to get often does in fact attract the man more.
Joel: Yes, it's more exciting to hunt
tigers than rabbits. The woman, being the focal point of
his desire, naturally assumes that she is the cause as well
as the object of it; but the energy of that desire stems
more from the play of it than from her as a person. He may
not realize this either, and so he is not really lying to
her, for these mechanisms often operate at unconscious levels.
When involved in conquest, he is in one psychological space;
afterwards he is in another. In fact, many men feel bad
when they see this trend in themselves and understand how
self-centered it is.
Diana: Both sexes are taught to play "conquest
and surrender" from an early age. Girls learn very
young, often from the way their fathers treat them, that
men respond more to cutesy coyness than to directness. So
they are rewarded for being manipulative and later criticized
for it. This puts the woman in the double bind: She's forced
to be gamy to keep the man's attention, but he puts her
down severely for being a "tease" when she "leads
him on without coming through." (This can be used to
justify rape, because a tease deserves it, the logic goes.)
Joel: Men learn young that what counts
in the world is what other men think of them, and that women
can be useful insofar as they bolster adequacy or impress
other men. It's important to see how much the need for adequacy
affects men's relationships and sexuality. In romantic literature
conquest referred mainly to sexual conquest, because it
was assumed that when a woman gave herself sexually, she
gave herself totally. The so-called sexual revolution, however,
has shaken this up, now that playing hard to get is in many
circles considered old-fashioned. Since sexuality is no
longer symbolic of total commitment, much of the hunt has
shifted its focus from the sexual act to winning the total
being, the heart and mind, of the other person. There is
still much play in the sexual field, but the serious hunt
is at a deeper level and plays itself out in many ways,
with sexuality as just one aspect of it. Conquest can even
be played out in the confines of marriage or a couple relationship,
until one person wins the other totally.
Diana: Conquest can string itself out
for years now, because people are more reluctant to get
involved. They may not be as hard to get sexually, but fear
of being trapped and missing out makes the field of emotional
conquest more challenging.
Joel: One way conquest works is that there's
more power in denial than in giving in to the other - this
holds true for both the man and the woman. So much of the
power in relationship is linked to who wants whom more,
which can shift back and forth. This leaves little room
for love. When you open up to loving someone, you become
vulnerable, which gives the other person a certain amount
of control over you. But since men are conditioned to want
to be in control, and women are attracted to men's strength,
which they also associate with control, there's a tendency
for both men and women to mistake love and vulnerability
for weakness. In conquest the one who opens to love is often
punished, for that very opening may cause the other to withdraw.
If a woman wins a man's heart, he can seem less strong and
interest her less, too. Now women are more into hunting,
while some men are trying to open emotionally, so the dynamics
are shifting.
Diana: Traditionally a woman's choice
of man largely determined the life she would lead. Perhaps
one reason women have been attracted to power is that they
have not shared equally in institutional power; therefore
they looked to men for survival and the quality of their
lives. Self-interest can unconsciously condition one to
act in ways that bring security and protection. Material
dependency necessarily creates psychic dependency. If women
were sharing material power, then they wouldn't need to
hook onto men to survive. Naturally, all of this influences
sexuality.
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